2 Food for Bonding, Food for Resistance

Authors: Mary Beth Cancienne, Hayes Davis, Teri Cross Davis, Brian Hannon, TJ Hendrix

Target Group: Middle School (7th-8th grade)

About the Unit

This is a three-day poetry unit for 7th and 8th grade learners. The lessons have been planned for 90-minute blocks but can be broken up into 45-minute blocks. They can be taught together or separately as a one-or two-day workshop.

Common Core Standards (7th and 8th grade)*

Text Complexity

  • Read and comprehend poems. (7)

Craft and Structure

  • Determine an author’s purpose in a text. (7)

Vocabulary Acquisition and Use (7 and 8)

  • Demonstrate understanding of figurative language, word relationships, and nuances in word meanings (interpret figurative language).
  • Gather vocabulary knowledge when considering a word or phrase important to comprehension or expression.

Range of Writing (7 and 8)

  • Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.

Comprehension and Collaboration (7 and 8)

  • Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse groups or teams on grade 7 and 8 topics, texts, and issues, building on others’ ideas and expressing their own clearly.

* Please note that this language comes directly from state/national standards

By engaging with Black poetry, the students will:

Understand

  • A poet uses poetic devices to capture experience.
  • A poet arranges words to create meaning in a poem.
  • A poet uses poetic devices to create meaning in a poem.
  • Participation in group discussions provides an opportunity to learn from others, including unique viewpoints.

Know

  • Identify and discuss an author’s purpose (theme) in a poem.
  • Examine poetic devices and structure, such as imagery, sensory details, repetition, alliteration, enjambment, and caesura and how they add meaning to the message of the poem (author’s purpose).
  • Interpret information presented in diverse media formats.
  • Compare and contrast poems.

Do

  • Modeling the structural form of either poem, write a poem using imagery, sensory details, and repetition.
  • Revise using the writing process (first and second drafts, revision and editing, and peer reviews).

Poem

Themes

Devices

Craft

“Bread Pudding Grandmamma” by Darrel Alejandro Holnes

Pain

Family

Food

Comfort

Nourishment: individual (emotional, spiritual, physical)

Maternal love

Sensory details

Imagery

Alliteration

Stanzas

Enjambment

Speakers other than the protagonist (multiple voices)

 

“My Resistance is Black” by DéLana R.A. Dameron

Nourishment: A Movement

Maternal love

Food

Comfort

Unsung heroes: people working behind the scenes

Imagery

Repetition

 

Prose Poem

Caesura

 

Food for Bonding (Day One)

Poem: “Bread Pudding Grandmamma” by Darrel Alejandro Holnes (Furious Flower 2019, pp. 47-48)

Activities

Additional Materials

Food for Resistance (Day Two)

Poem: “My Resistance is Black” by DéLana R.A. Dameron (Furious Flower 2019, p. 187)

Activities

Food for Bonding & Food for Resistance (Day Three)

Poems: My Resistance is Black” by DéLana R.A. Dameron, “Bread Pudding Grandmamma” by Darrel Alejandro Holnes

Activities

Options for Differentiation

Prompting Questions for Student Engagement

Student Interview Exercise

License

Icon for the Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

The Furious Flower Syllabus Project: Opening the World of Black Poetry Copyright © 2024 by Anastacia-Reneé; allia abdullah-matta; Ariana Benson; Mary Beth Cancienne; Teri Ellen Cross Davis; Shameka Cunningham; Hayes Davis; Tyree Daye; Angel C. Dye; Brian Hannon; T.J. Hendrix; DaMaris B. Hill; Meta DuEwa Jones; Shauna M. Morgan; Adrienne Danyelle Oliver; Leona Sevick; James Smethurst; Dana A. Williams; L. Lamar Wilson; Carmin Wong; Dave Wooley; and Joanne V. Gabbin (preface) is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License, except where otherwise noted.

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